![]() ![]() This should be on everyone's "must do" list for any trip through Napa Valley. The 2006 vintage was selling for $775 per bottle. *This wasn't available in their wine shop. Opus One says "the wine will age effortlessly for decades." No doubt. Tannins are soft and supple, with a long and lingering finish. Lighter and fruitier, with notes of nutmeg, raspberries, cola, chocolate and forest floor. 96.ħ9% Cabernet Sauvignon, 8% Merlot, 6% Cabernet Franc, 6% Petit Verdot, 1% MalbecĪ polar opposite from the above (which is why it was chosen as our second vintage). I'll be putting ours away for a decade or so. As with all of their wines, this has tons of aging potential. Dark fruits dominate the palate which also features earthy notes and a hint of minerality. 89.Ĩ4% Cabernet Sauvignon, 5.5% Merlot, 5.5% Cabernet Franc, 4% Petit Verdot, 1% MalbecĪromas of roses, blackberries, coffee and chocolate. If the price of the Opus One scares you off, this is a very good alternative. It has much less structure and less aging potential as it's big brother, but it is quite lovely to drink now. This second label is a multi-vintage blend of the same five varietals. Here are my notes on the three wines we were fortunate enough to taste. These age-worthy and prestigious wines are favored by collectors throughout the world.We had a terrific tour and tasting at this spectacular winery. Oakville wines are known for their silky, sensual textures, structured tannins, dark and brooding fruit and lovely aromatics. Oakville's diverse soils, namely ancient sea bedrock, clay and gravel, are well-drained, and perfect for high-caliber viticulture.Ĭabernet here is often bottled varietally but is also popular in Bordeaux Blends. Summer days see a gentle tug of war between warmer inland air and the cool air coming in from the San Pablo Bay, creating an ideal environment to grow red varieties. The climate is generally warm and agreeable, resulting in year after year of favorable vintages. This AVA is home to the legendary To Kalon Vineyard and Martha's Vineyard, as well as many powerhouse wineries including Screaming Eagle, Silver Oak, Robert Mondavi, Opus One, Far Niente and Groth. Home to some of the most sought-after Cabernet Sauvignon in America, Napa Valley’s Oakville district stretches across the center of Napa's valley floor and foothills between the Vaca and Mayacamas Mountains. Two parcels, totaling 100 acres, are within the renowned To Kalon Vineyard. These are complemented by the combined 70 acres of the Ballestra and River parcels, which envelop the winery. In the vineyards, hand-harvesting and other traditional approaches are taken wherever they work best. When modern techniques benefit the winegrowing process, they are researched, evaluated and integrated into practice The estate vineyards of Opus One, comprised of four parcels, sit in the western portion of the famed Oakville AVA in Napa Valley. It remains an ongoing testament to the founders’ vision of a singular wine that transcends generations. Rising gracefully from the vineyards, Opus One winery stands in subtle celebration of the land and the open space that surrounds the estate. Guided by the vision of our founders, winemaker Michael Silacci combines intuition and technical acumen with the dual perspective of viticulturist and winemaker. From tasting berries to careful sorting and extended aging in new French oak barrels, each stage of the winemaking process is afforded the same meticulous consideration and attention. After 18 months, the Opus One wine is bottled and held an additional 15 months until release on October 1st each year. Place, often defined as terroir, represents the geography, the climate and the essential human element which is captured in the wine’s balance between power and finesse, structure and texture. The essence of time is expressed in Opus One wine by the character of each vintage. The facial profile of the two founders is visible on their iconic label. Producing luxury wines from its Napa Valley vineyards, the partnership made its first vintage in 1979 and has made wine at Opus One since 1991. Opus One is a partnership founded by Baron Philippe de Rothschild of Chateau Mouton Rothschild in Pauillac, France, and renowned Napa Valley vintner, Robert Mondavi. Learn about Opus One, it’s history, the winery and the wine. ![]()
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![]() ![]() Spam Sieve allows me to specify “on my computer” which is probably why I’m getting two copies. If I click on additional options there are no other severs or locations available to move anything. The advanced menu only gives me the option of moving junk to Junk Folder of the server. I’ve been into Outlook advanced settings and have all the settings for deleted items to go to the delete folder on the server (my only choice on that menu) and to delete them when Outlook Closes. I have my setting set to Move to Junk Folder in Spam Sieve “On My Computer” but it still leaves them on the server so I have mirrored Junk folders - one on the server and one locally with identical emails in both for my work mailbox. I’ve rebuilt the Outlook database several times …it keeps telling me I need to due to errors since I installed SpamSeive. You can pick any folder you want in the “SpamSieve - Move Messages” rule. For example, you could set it to move the deleted messages to the Trash mailbox. Then, under Trash, you can adjust how Outlook handles deleted messages (which includes messages that were moved from a server folder to an “On My Computer” folder). It sounds like you need to go into Outlook’s settings for your account, click Advanced…, and click Folders. Which server folder are the junk messages in?Īlso, I found this thread in the Outlook forum, which recommends rebuilding the Outlook database. But “leaves them” sounds like something different. I thought you said that it puts one copy in the Junk folder “On My Computer” and one copy in the “Junk” folder on your server (“in the server Junk filter”). I have been tempted to switch to the MacMail tool to see how it works but then I don’t have the depth of tools available. I told SpamSieve to mark all as read when it moves them but it doesn’t do all of them. Yes, the messages appear the same…some appear as “read” and some are still bold. The same thing does not happen for messages that I drag and drop to other folders, although sometimes Outlook duplicates the message when I move to “On My Computer” rather than just moving and deleting from the inbox. I am not seeing that in my other devices…once they are gone, they’re gone. ![]() ![]() On my desktop iMac system I am seeing things move back into the inbox.
![]() Baker testified it was well into the season and several months after the incident with Sheridan that Cherry told the other writers that he was killing off Edie. In an episode of television series Desperate Housewives, Karl (Richard Burgi) offers the words to his wife Susan (Teri Hatcher) as he leaves her for another. He recalled one rehearsal in the first season when he had to be summoned to the set because Hatcher was furious with Sheridan’s lack of preparation.Ĭherry’s timeline was called into question by another witness, Lori Kirkland Baker, a former co-executive producer on the show. Karl Mayer is a fictional character portrayed by Richard Burgi and created by television producer and screenwriter Marc Cherry for the ABC television series Desperate Housewives. Renee Faulkner (previously Perry) is one of the main protagonists and titular characters of Desperate Housewives. “She only had five or six lines…and she didn’t know any of them,” Cherry said. Marcia Cross Bree van de kamp Richard Burgi Karl Mayer Desperate Housewives fancam video from actress marcia cross nude Watch Video. He said she often forgot her lines, even in episodes where she had little to memorize. The Desperate Housewives actress was 44 when she tied the knot with husband. That was pretty astonishing considering ABC had been on a downward trend for years and the premiere of Lost on September 22 had already exceeded the networks expectations with 18.65 million viewers. Couples like Dolly Parton and Carl Dean have even passed the 50-year mark. Referring to Sheridan as “the actress” he said that during read-throughs of the script, she sometimes made insulting comments which he found “hugely rude and hugely upsetting to the writers.” On October 3, 2004, 21.64 million American viewers tuned in for the series premiere of Desperate Housewives on ABC. Asked for examples, Cherry paused and frowned before answering. Desperate Housewives is an American comedy-drama mystery television series created by Marc Cherry and produced by ABC Studios and Cherry Productions. ![]() Simpson case where he was accused of murdering his wife,” Cherry told jurors.Īs Sheridan looked on from the defense table, Cherry said unprofessional behavior by Sheridan was a secondary consideration in writing her off the show. ![]() ![]() I think it was a queen? And he had this conversation with the queen, and the queen basically said, ‘the way the Reapers keep going, this isn’t sustainable, blah blah blah blah blah blah, we have to evolve, but we’re incapable of evolution because of the limitations of our AI and stuff like that.’ "I actually had him just plug himself into the Citadel, and then within a virtual world he has a conversation with what was described as a god of the Reapers. "At that point, Shepard was so augmented with like electronic bits and all the rest of this s***," Wilkonson said. He shared the original plans for the Paragon, Renegade, and Synthesis endings and how it all began by Shepard plugging himself into The Citadel. ![]() While they are not radically different from what ended up being part of Mass Effect 3, one of the big changes did involve the Queen of the Reapers confronting Shepard at the end as opposed to The Catalyst/Intelligence/Star Child. Wilkinson continued to share a bit more about his early work on Mass Effect 3's ending, including his original plans for them. "In fact, he picked blue and red because they referred to what was originally being talked about as the ‘Paragon’ and ‘Renegade’ choices, and the green was just… the other one.” "According to Wilkinson, he chose these three colors as an easy way to differentiate between his work across the three endings and hadn’t necessarily expected them to end up in the final product," People Make Games' Chris Bratt said. When people talk about the endings of Mass Effect 3, they usually always bring up that they were more or less boiled down to three choices - represented by the colors blue, red and green - that were all very similar to each other and didn't quite factor in the player's choices as was expected.Īccording to ex-BioWare Montreal animation director Dave Wilkinson, these color choices were used early on to help him differentiate between his work on the multiple endings and he didn't think they would actually make it into the game. ![]() ![]() ![]() For shipping costs please get in touch, the price in the field is just an estimate. Please note that NOT everything in the pictures is included, only what is listed below. D control is a monster in studio aesthetics.Professional Studio Set up for sale. You'll have bigger muscles (from lifting it) and a better studio experience in the end.Īgree. If you have the space and the spare change to buy a used one, move immediately to the D-Control. Knowing how to use every function requires expertise and attention to detail. But I will tell you, I have a mental (and skill frankly) advantage over other studios due to the sheer size and mental "weight" artist place on me having and operating one of these massive boards. Unless you are rough with the console and mistreat it and or don't do an adequate job protecting it, power and elements, it will work beautifully. Additionally, there are companies that service these and will for the foreseeable future. It's a great to have, but if mine went out I'm skilled enough to get everything done in PT. Yes its old tech, and No, AVID does not support it in any way, shape or fashion. So I bought new PSU's for all units and replaced them all at the same time. I have had my LED PSU go out in one fader pack. I have a D-Control and its been basically worry free for years. I don’t know if the d-control is prone to more maintenance issues maybe it runs hotter? What kinds of failures have you run into Will?, and what are you stockpiling? So knock on wood hopefully that continues. I am a little concerned about the encoders buttons and LEDs but I’ve yet to really have any problems. I thought maybe I was having encoder problems but after cleaning ribbon cables all of those problems disappeared. I’ve replaced power supplies and faders and that’s it thus far (I bought it in rough shape needing faders and power supplies). I have to say I’m really impressed with the build quality of my blue d-command. Obviously, parts is going to be a concern in the not too distant future. ![]() You make a good point though and I should really give it some serious thought because I might be taking for granted having 24 and I might really miss them once they’re gone. And I can usually get around easy enough that I don’t for see having lot’s of issues nudging or banking to quickly find things. When I use the faders a lot I’m usually using them with VCAs and it’s rare that I have a VCA group that doesn’t fit easily across 10 or 12 faders. I hear you about the faders, I’m kind of on the fence of how much that would be a loss for me. I need to sit in front of a d-control and actually work with it to test the erganomics. ![]() In some of the pictures I’ve seen it looks like you almost have to stand up to get to some of the top encoders. However, the depth of the d-control does concern me a bit. So I would be about the same distance from my speakers with the d-control as I am with the d-command. So a 16 fader d-control is actually less wide and would allow for the d-control to push up pretty close to my speaker stands. I have a producer desk on the right side of my d-command that has my keyboard mouse and monitor on it. The one positive aspect of the d-control for me is the width. I do know of one d-control in my area and hopefully I can get some time in front of it That’s one of the details that’s making wait for now. Yes size is definitely a concern that I’m looking into. I currently go back and forth between a PT10 system and PT12 system and at some point will probably just sit on wherever they end support. There also the question of how much longer Avid will continue to support the ICON line. So all that being said is it worth it? Are there any other D-command users having similar thoughts? or D-Control users that don't think it's worth the upgrade? Anyone want to talk me out of it? I mostly only use plugins that map well to the eq and dynamics sections (Avid, Sonnox, PluginAlliance) but it would be nice to have more encoders to create custom maps for specific plugs. It seems like the extra encoders on channel strips and the expanded eq and dynamics section would be a great improvement in flexibility. It has been a way more pleasant pro tools experience Also, having VCA spill and eq and dynamics control makes for so much less mouse/screen time. I mostly mix music and the quick access to the automation features is such a huge part of my work flow now that I really miss using pro tools with out it. I've been on the D-command for about 3 years and have really loved the experience with it. Wanted to get your thoughts on doing an upgrade from a 24 fader D-command to a 16 fader D-Control.I've noticed that D-Control prices have been dropping pretty quickly recently. ![]() ![]() The engine makes it possible to generate ray traced renders in near-real time, with support for ray traced global illumination, reflections, caustics and subsurface scattering. One major change in Toolbag 4.0 is the new GPU-accelerated ray tracing engine.Īccording to Marmoset, it has native hardware support for Nvidia’s current-gen RTX GPUs, which included dedicated ray tracing cores, but it works on “all modern GPUs”, including AMD cards. New hardware-accelerated ray tracing engine runs on all modern GPUs ![]() The software is often used for rendering portfolio material, and exports directly to ArtStation. Users can then either bake texture maps for export to other DCC software or game engines – Toolbag exports directly to Unity – or render stills or animation directly. It enables users to visualise imported models quickly, setting up PBR materials and lighting. ![]() The release adds a new GPU-accelerated ray tracing engine, GPU-accelerated texture baking, a new 3D texture painting system, and a more customisable UI with support for custom workspaces.Ī real-time look development and rendering toolkit, particularly for games assets and portfolio workĪ lightweight system for lookdev, compositing and final rendering, Toolbag is widely used by games artists, but is also increasingly being used in other sectors of the industry. ![]() Marmoset has released Toolbag 4.0, the next major version of its real-time rendering toolkit, and the first full-point update to the software in almost four years. ![]() ![]() ![]() Have long meetings that are note-heavy? Make it a doodle challenge! Have attendees doodle their notes and share them at the end. For those that love trivia, make it a challenge! See who can guess the song title and artist the fastest. Have the meeting host play a song at the beginning of the meeting. Consider sending cocktail recipes for your team to mix together at the start of the meeting for additional bonding. Like a coffee break, but at the end of the day, have a little happy hour. This is a great way to get to know a little more about the people on your team. Two Truths and a LieĪ classic icebreaker, have meeting attendees share two truths and one lie and then have everyone try to guess which is the lie. You could even send employees gift cards for free coffee so they can all have a treat. ![]() Share your go-to drink and see the wide range of preferences across the team. Keep the conversation light and learn more about the team on the call. Take a few minutes to chat like you would in the office. This will help them focus and give the speaker a little support. and their meanings before the meeting starts, then have participants engage throughout with the cues. Create a series of signals that can be done visually, thumbs-ups, clapping, raising the roof, etc. In meetings of more than a handful of people, participants spend most of their time muted on video. The photos can be shared on social media or internally. Get everyone to look their best and take a picture of the team! Consider channeling the Brady Bunch or Hollywood Squares and have fun with the pictures. The winning team can get a prize or just hold bragging rights until someone manages to dethrone them. Break employees into teams and have them compete at the start of every meeting. Who doesn’t like a little trivia? Create trivia questions based on office stats, popular tv shows, or just grab a deck of cards from Trivial Pursuit. Or, have everyone share a photo from a recent vacation and see who can guess where the picture was taken. Play a guessing game! Have any of your team members been traveling? Have them share a look out their window and try to guess where they are. Is anyone in the office an organizational office supply maven? Have them give a brief lesson on their favorite tools and any tricks they’ve picked up, whether it’s a color-coded dry-erase schedule or a unique filing system. Share best practices about monitors, web cameras, organizational systems, and more. Have employees share a picture of their home office setup. What is the goal of using an icebreaker, and does the one you chose meet that goal?ġ8 Fun Icebreakers for Virtual Teams What’s Your Setup?.Is it the kind of activity your coworkers would want to do?.Does it promote inclusivity and diversity?.Is there any part that HR wouldn’t be happy to hear about?.Before you settle on an icebreaker to use during a meeting, ask the following: Every employee is different, and each team is different. There is such a thing as a bad icebreaker. What to Consider Before Using Virtual Meeting Icebreaker Activities They can be used throughout a meeting, just at the start, or an entire meeting can be devoted to them.Ĭurious about the best ways to host a virtual meeting? Check out Virtual Meeting Guide. While a traditional virtual icebreaker activity lasts for 5-10 minutes, they don’t have to. Icebreakers help to keep your team engaged, even when apart. Working remotely can leave employees feeling siloed. More fun than a simple introduction, virtual meeting icebreaker games help teams bond and foster connections. What is a Virtual Meeting Icebreaker?Ī virtual icebreaker is an activity that can warm up a team and help them get to know each other virtually. When your meeting attendees feel seen, they not only pay closer attention, they know their presence is appreciated. It’s about making sure everyone in attendance feels like they should be there and that they are also seen. ![]() Engagement is more than having opportunities for individuals to participate in your meeting or making sure all eyes are on the screen. One of the biggest challenges of a remote world is keeping meeting attendees engaged – whether you’re hosting an internal or external meeting – and icebreakers are one of many digital engagement strategies you can employ to keep your employees or attendees invested in your meetings. Virtual meeting icebreakers can help teams bond and connect, enabling teams to relate on a personal and social level, prompting talk about projects and deadlines, and serving as great team-building tools. While an office environment allows for chats by the coffee maker or happy hours outside of the office, it’s easy to forget to connect when virtual. Working from home, working remotely, or working in different offices can leave employees feeling out of touch with one another. ![]() ![]() The quick report related to data stored in the data dictionary can be easily fetched using the tools. These tools are used to form the database and fetch the information from the database.There are numerous types of advantages of data dictionary tools. And after purchasing the tool, the tool needs to be installed and then can be used for generating the documents. After the selection of tools, the next job is to purchase the tool as mostly tools are available as commercial edition and required to purchase. And these tools are generated the documents that provide the information related to the database, objects, data, and relationship exist in the database. There is a different type of data dictionary tool that varies according to the database used. The only requirement for using the data dictionary tools is to first select the appropriate data dictionary tool as per the database used. Requirements to use Data Dictionary Tools ![]() The documents generated are highly professional and the templates used to create documents can be customized as per the user requirements. The tools support only the Windows operating system. ![]() This tool is also not available as open-source and users need to purchase the commercial edition for using this tool. The documents are generated automatically in this tool and the documents include complete technical information of the database schema. This tool is mostly used for generating the documentation related to the SQL database. The tool supports windows operating system only. The tool is not an open-source tool and is provided as a commercial edition for the user. By this only, the relevant information can be included in the document. The tool also provides to edit the object descriptions and the document generation process can make customized as per the user requirements. ![]() The Doc xPress is the type of data dictionary tool that is widely used for documentation of the SQL server database and for the BI tools. The tool only supports Windows operating system. The only format supported for the document is HTML and the metadata stored in the SQL server. The document generated in this tool provides quick access to the developers, support staff, and also the customers to access documents related to the database. This tool is an open-source tool that is easy to use and helps to share the knowledge and information about the database and also used to create the documentation of the database and data dictionary. The documents can be export in HTML, CHM, PDF, and MS Word format. The main feature of the tool is the automatic generation of documents and have the option to edit the object description. This tool is also not provided as an open-source tool and users need to purchase commercial edition for use. The tool supports only the Windows operating system. The database summary can also be generated by using this tool. The tables used in these tools can be editable as the column, description, triggers, index, constraints can be easily edited in this tool. This is another type of data monitoring tool that is used to generate the documentation for the SQL server and the documents are generated automatically. The tool supports different types of operating systems like Windows and Mac OS. The tool is not provided as open-source and users need to purchase commercial edition for use. The document can be export in PDF< HTML or MS Excel format. The tools provide the functionality to properly document the relational database and share the document in interactive type HTML. The Dataedo tool helps to document, understand, and catalog the data with the data dictionary, ERDs and business glossary. In the below section some of the examples of dictionary tools are described below: 1. The tool has enough collaboration capabilities and the tool can be easily integrated with other applications. The tools are also rich in multiple databases and multiple engines that are present in one single repository. These tools are rich in metadata capabilities that means it can be used to show the tables, relationships, a text editor is present, multiple types of descriptive fields. The main purpose of these tools is to design the documentation related to the database. The data dictionary tools are the type of tools that has a different type of metadata repository, it means it has separate GUI and other documentation tools. ![]() Hadoop, Data Science, Statistics & others Top 5 Data Dictionary Tools ![]() ![]() If you're a fan of to-do lists, then the Todoist app allows you to add one to your Apple Watch face. There is a free version, as well as a paid-for version with access to all currencies.ĭownload Grocery from the Apple App Store (Free with in-app purchases) Todoist You can then swipe left to increase the values, swipe right to decrease them or tap on a value for more accuracy. It knows where you are and will automatically pick the right currency for you, along with a starting value. Elk allows you to do quick currency conversions directly on your wrist. When you're abroad, you want to know how much everything costs. The app will even flip the text upsides down, so you can show the translation to the person you're speaking to without breaking your arm.ĭownload iTranslate Converse from the Apple App Store (Free with in-app purchases) Elk Not only will you see the spoken phrase translated into the target language on your Apple Watch, but it will also speak the phrase in that language too. ![]() iTranslate Converse solves that problem by listening for the two languages you set and translating whichever language it hears, allowing two people who don't speak the other's language to hold a conversation. ![]() The original iTranslate app is useful if you want to know how to say a particular phrase in a foreign language, but it's not much use if you want to hold a conversation. Pre-installed on Apple Watch iTranslate Converse ![]() ![]() With careful design, recorded lectures may be a vital component of today's hybrid curricula that challenge students with expectations of personal accountability through an amalgam of learning modalities.1. Ultimately, students need to be engaged through a variety of venues such as lectures, laboratories, and experiential activities. It depends on many variables such as the nature of the content, teaching styles of the faculty member, and instructional design for the course. There is no clear-cut answer to whether recording lectures is inherently good or bad for pharmacy education. As is the case in healthcare, the rapid evolution of technology is making information transfer increasingly nominal and obsolete. They do not exist simply to transfer information. Regardless of subject matter, faculty members exist to move students to a higher and more efficient order of thinking, to challenge students to question the world they live in, and to instill a sense of wonder. This is a serious concern that should be considered by curriculum committees and administrators charged with holistic curricular review and oversight.įaculty members must continually reevaluate their purpose in the classroom. A complete reliance on online classes might hamper student ability to personally interact with individuals or groups in situations devoid of technology. One unintended consequence of recorded lectures is that absenteeism from campus might erode the viability, productivity, and influence of student professional associations and organizations. Most colleges and schools rely on their “unofficial” curriculum to enhance the development of leadership and professionalism among students. This issue is particularly critical to professional schools, which are charged with inculcating students into the professions. Regardless of learning outcomes, one valid concern regarding classroom attendance and video capture that must be resolved is the effect of absenteeism on student life. Finally, in some cases, recorded lectures can be re-purposed for use in other or future classes, thereby freeing faculty time. For many schools, lecture capture provides a way to reach students at remote sites or campuses who otherwise may not have access. 4 They also provide students with an opportunity to re-visit lectures or portions of lectures that they failed to comprehend the first time. ![]() Archived lectures can free actual class time for higher order and interactive learning activities. When assessing the usefulness of video-captured lectures, faculty members should acknowledge the additional strategies for teaching now available to them. Recorded lectures may in part appeal to the technological expectations of today's learner. From an outcomes-driven perspective, if a student can successfully demonstrate attainment of specific knowledge or skills through assessments without attending class, why attend? 3 Does the faculty member's presence in face-to-face classroom lectures add value? An essential question for educators is “does it matter how students learn or only that they master the material and course-related objectives?” If faculty members lack confidence in the integrity and abilities of their assessments to accurately gauge knowledge, then this premise indicates a greater problem within our educational system.Ĭonsideration of recording lectures should not hinge on classroom attendance, but on whether it facilitates student learning. 2 The philosophical underpinnings of these concerns reside in the ultimate purpose of video capture. The primary fear for most faculty members is the effect of video capture on class attendance. One of the more challenging and controversial questions facing educators and administrators is whether to record classroom lectures. This popularity has evoked various discussions regarding the potential benefits and disadvantages of lecture capture. 1 Lecture capture capabilities ranging from Echo360 (Echo360, Inc., Dulles, VA) to Camtasia (TechSmith Corporation, Okemos, MI) have become nearly ubiquitous on most college campuses. Mongahan and colleagues reported that 70% of 89 responding colleges and schools of pharmacy were using some form of video capture software. Pharmacy has not been immune to this growing phenomenon, with most colleges and schools scrambling to implement programs, devices, and modalities that have been well thought out or perhaps not so well thought out. The availability of various educational-based technologies continues to rapidly evolve and permeate academia. ![]() |
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